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, by Peter Watts
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Product details
File Size: 660 KB
Print Length: 240 pages
Publisher: Tachyon Publications (November 12, 2013)
Publication Date: November 12, 2013
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00GL9OBCM
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Amazon Best Sellers Rank:
#9,496 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Anyone who is unfamiliar with Peter Watts as an author and might be unwilling to dive right into the deep end with Starfish or Blindsight (and the subsequent novels that follow up in the respective worlds those two novels introduce) would be doing themselves a disservice by not taking a chance and reading a copy of Beyond the Rift. Hell, even existing fans of Peter Watts are making a mistake by not picking up a copy of this book.Beyond the Rift contains 13 of the most fascinating, diverse, and occasionally challenging science fiction stories that have been written.Those who, like myself, already own a copy of Ten Monkeys, Ten Minutes (his previous collection of short fiction) will be familiar with six of the stories that are collected in Beyond the Rift, but they are the six best stories from the previous collection...especially The Second Coming of Jasmine Fitzgerald and Ambassador, which were my two personal favorites from the previous anthology. I loved those stories enough that I didn't skip over them when reading through this new collection.This particular anthology of his work starts of strong with The Things, a retelling of Director John Carpenter's The Thing (an adaptation of Who Goes There? by John W. Campbell) from the perspective of the titular Thing. I'd read this story previously, when Watts made it available on his website years ago, but it (like his other work) was well worth reading a second time.Following that was The Island, an equally strong story that was partially familiar to me as well because of samples of it that Watts had been posting on his blog as it was being written.Hell, this book would be worth having on the merit of those two stories alone, but it is so much more than that.Along with the two stories I already mentioned that exist in both Beyond the Rift and Ten Monkeys, Ten Minutes are the fantastic stories Home and A Niche (which was my first introduction to Peter Watts when I read it back in the late 90s), both of which are stand alone snippets of the narrative that appears in Starfish...which could serve as an impetus to read that novel and the three that follow it. It certainly had that effect on me.Thirteen stories and not a weak one among them.
This book have some spectacularly good stories in it. Alas some are less so and, while I get the philosophical argument being put forward in the story with the pedophile protagonist who never acted on his fantasies, the same thing could have been achieved with any number of other vices and without making a character who is supposed to be sympathetic also be a pedophile.Overall I’d rate the book as decent, and highly recommend “The Thingsâ€, “The Islandâ€, “A Word for Heathens†and “Home†for some clever, unusual, though provoking stories.
I generally enjoyed Watts' theme of "we're just a bunch of genes" as explored in these shorts, but found the lack of dialog the main impediment to a 4 star review.In the main, Watts writes in either a protagonist first-person or third-person but focused on the protagonist's point of view, and all with a lot of introspection based on their mental state. Normally I'm good with that, but in this case it is pretty much unrelenting and where you probably wouldn't notice it just reading one or two of these stories in an anthology, it's pure concentrate here and too strong for my tastes.Indeed, apparently Watts is known as a "bleak" author - and he goes on at length about this in a "Dear Reader" section at the end of the novel that I gave up on after two pages because I found it too boring - but I didn't find them bleak in the sense of misery, squalor or oppression. Rather, that singular writing style and lack of dialog made the narrative bleak to me.In terms of topics, Watts ranges from the claustrophobia of a science station deep underwater that could easily be in our near future, to light years from anywhere some billions of years downstream from now. His focus seems to be whether us as 'meat machine' are anything more than a mechanism for genetic reproduction based on a limited repertoire of programmed responses and he probes this from human, cybernetic and purely digital perspectives. Oh, and with some aliens thrown in for good measure. There are a lot of interesting ideas here and even the complicated ones are readily accessible because Watts pretty much spells them out, sometimes subtly, sometimes not so.It is generally interesting, but the landscape is limited and there is certainly a familiarity of intent the further into the collection you get. Again, read one or two in an anthology or with some time between each short and this won't be a problem. Consume them one after the other in the space of a couple of days and the pattern becomes paramount. Also, a few of the stories approach religion in a way that readers with faith may take issue with.I'm a little ambivalent in recommending this. Most of the stories have a hard science underpinning and if you like fiction that delves into the "me" in "me", this will likely appeal. It is not so hugely expensive that price alone need put you off, and I expect most sci-fi fans will find stories to like here. But it's also not bargain basement and there is a high degree of repetition in the theme and for me, way too much prose without dialog to counterpoint the point of view. So, definitely one for the Look Inside option because there is enough of "The Things" to likely make up your mind on the style one way or another.
One of the best thing you can say about a sci-fi short story is that you didn't want it to stop. You wanted more. I felt this way about almost every story in this book. Maybe for some that's a negative; they'd like a complete, satisfying, narrative. But in this genre, the possibilities should always be limitless.
This is hands down the best sci fi short story collection I've ever read. I found myself laughing or shouting in surprise or alarm, even accidentally waking my husband up in the wee hours during the many 'can't put it down' sessions. Watts' essay at the end is compelling. If you don't grok these stories you should probably stop calling yourself a sci fi fan.
Peter Watts is the most innovative Sci Fi writer I have read. He leaves you thinking deeply about the nature of consciousness.
A collection of thought experiments that will have you hating and loathing our current society, its past, its feature, and pretty much all of its parallel timelines.It's horrible, it's great. It's as was to be expected from us. Great insight into my own mind, but put into so much better writing.. :-)First contact with Peter Watts. Will be looking into other stuff by him.
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